0399149724 Hardcover ($25.95)

Munich: The writer Benjamin Stern entered his flat to see a man standing there, leafing through his research, and said, "Who the hell are you?" In response, the man shot him. As Stern lay dying, the gunman murmured a few words in Latin, then he gathered the writer's papers and left.

Venice: The art restorer Gabriel Allon applied a dab of paint carefully to the Bellini, then read the message thrust into his hands. Stern was dead; could he leave right away? With a sigh, the Mossad agent began to put his brushes away.

The Vatican: The priest named Pietro paced in the garden, thinking about the things he had discovered, the enemies he would make, the journey before him. Men would surely die, and he wished another could take it for him. But he knew that was not possible. In the weeks to come, the journeys of all three men will come together, following a trail of long-buried secrets and unthinkable deeds, leaving each one forever changed. And with them, the lives of millions . . .

Filled with rich characters, remarkable prose, and a multilayered plot of uncommon intensity, this is the finest work yet by a new master of the art.

"Many books and plays have questioned Pope Pius XII's silence and lack of action during the Holocaust. Silva goes beyond easy assumptions, using newly uncovered documents to create a darker scenario. That darkness is increasingly tinged with sadness, as Allon moves through present-day Jewish communities in Munich, Venice and Rome where nothing seems to have been changed by the deaths and denials of history. At the end of The Confessor, after many scenes of thumping action, passionate words, hot pursuit and cold revenge, what will probably stay with you longest are the quiet moments where the reasons for Pope Paul VII's convictions are revealed. It's a different kind of thrill than you might expect from a commercial thriller, but it certainly leaves a tingle."
-The Chicago Tribune


"Accomplished … as elegantly written as its predecessors … a compelling piece of fiction, one that manages to be both superior entertainment and a hard look at serious issues."
-The Washington Post


"The plot of The Confessor is complex, yes, but it's so believable that, by the end of the book, you will be wondering how much of this might really have happened, or might happen yet. It's a fine, absorbing read-especially if you'd like something that feels current and will occupy your mind so thoroughly that, for a while, you can forget about what's going on in the rest of the world."
-Bookreporter.com